Quite often my attitude in regards the judiciary of Spain should be described as showing an intellectual debt to the school of Diogenes: cynicism is a common appropriate reaction to much of the state of “justice” in this Iberian kingdom. However, and why not say it, let this be precedent, there are times when the third power of the state does something that surprises me and delights me–I suppose an outcome of my low expectations.
In the US, the European Union, the WTO, and other national, supranational and international organisations, a holy war is being waged, which like all holy wars contains the appearance of an essential ideological clash, a veritable stand on principles, the regard for rights, and so on, while, underlying it all, there is cold hard cash. Of course this cold hard cash is a bit more nebulous and hypothetical than a note lying on a wallet or some coins plunked down on a table, but capitalism has over time shown its ability to securitize and build over the most abstract and symbolic manifestations of wealth or the mere potential for wealth. I speak here of wealth in an ordinary sense, which is to say, in terms of exchange value. There are entire international bureaucracies–WIPO springs to mind–attempting to ensure that these dreams and hopes get cashed into concrete, current legal tender.
On the one hand, we have the knights of “intellectual property”, who tend to think of themselves as rights-holders, content owners, and, when issuing PR material, content creators, much of a fiction as this may be. On the other hand, the arrayed armed forces of copying: within this side, which is not always quite as unified as the other, different ranks and forces mingle with a common cause. The knights of consumer electronics, the armoured brigades of the computer hardware industries, and a daring yeomanry–longbow in hand–of pirates. Needless to say, although the material support of knights and armour is a necessary condition for this side to continue the struggle, it is the yeomans that have changed the balance of the war, making people on the other side incredibly nervous, and, why not say it, making their own allies wonder: will this one day happen to us?
In this,as in many occasions, it is necessary to take sides, but we must do so with no illusions. It’s not that makers of consumer electronics and computer hardware are our friends, it is simply that this part of capital has revolutionised the sphere of distribution, undercutting other sectors. As to people who wonder whether we should support copying, I remind them that the word copy comes from the Latin copia, a word that means abundance. If anyone asks why we shouldn’t support copying, ask them why we shouldn’t support abundance: in this case it is not a mere rhetorical trick, the etymology contains an important truth.
This phase of the confrontation involves what amounts to acts of desperation from the side of intellectual monopolies. Having observed that their property does not ground itself in the objective conditions of production and distribution as they have come to evolve over time, their only out is to engage in the other way to establish monopolies: demand state protection and legislated privilege. As Eben moglen–an exceedingly shrewd legal mind and political thinker–has said:
The technology of the late 20th century reversed the conditions of power that made it. This is not the first time that that system of social production called capitalism has had that effect. When I wrote a little thing called “The dotCommunist Manifesto” some while ago, I was doing it in order to show that a form of social analysis characteristic of those searching for freedom in the 19th century might bear some recognition in the 21st. Not as a matter of normative political analysis but as a comment on the actualities of the day. The struggle of bourgeois technology towards ever greater functioning such that it undermines its own conditions of existence was an observation made by shrewd onlookers a hundred and fourty years ago, and we live in the fulfillment of its truth. Ownership struggled to reduce its costs, to hold down the costs of making the commodity, in order to free itself to greater profit. And in the end, as was so shrewdly noted in the 1860s: “All that was solid melted into air, and air was something that we all knew we could freely breathe.” … And so we found ourselves confronting a system of power based upon ideas of property relations that the technology of the owners was already making obsolete. It is not possible for industrial organizations to do a better job of distributing music than 12 year-olds can do. Hence the world in which the music industry confronts the children on the barricades, attempts to jail them, fine them, control them, and loses. The same is true for all the other forms of art given to us by the 20th century and being freed by the very technology that the controllers of artists hoped would control art even further. This, like the adoption of movable type printing at the end of the 15th century, constitutes a moment at which the powers of control have adopted technology which transforms their conditions of existence, will they, nil they. They do not will it but it happens to them anyway. And the technology that they have freed, like the sorcerer’s apprentice, finds itself overwhelmed by its own implications.
The problem with these manoeuvres is that at this stage of the development of capital it is difficult to square such privileges with the necessary ideology of free agency and decisions by the market. However, in order to override these ideological considerations, our enemies have something that has always worked pretty well in that regard: lots of money.
So what has come to pass over the last 15 years or so is a progressive tightening of copyright law–patents are beyond the scope of this essay. The fundamental commonalities involved are the progressive decrease in the use of defences such as fair use or fair dealing, the weakening of the doctrine of first sale through provisions of contract law analogical to renting, and the attempt to privatise the whole matter of contract and licences through the mechanism of drm–digital restrictions management.
DRM is the dream of every capitalist, a sort of equivalent of the economic perpetual motion machine: zero marginal production costs–digital copies are essentially free–yet the eternal opportunity to monetise those goods and a monopoly of their production. I say eternal mindfully, given that although copyright expires, DRM emphatically does not. So think of DRM as the great swindle, selling people the air they breathe. The fundamental problem of DRM is that, as it is the case with all perpetual motion machines, it happens to be impossible. Of course, what happens when a perpetual motion machine is impossible is that all serious research moves away from making them, but a good number of swindlers and con men try to sell the appearance of the miracle. This is a strange curlicue in the story, because software companies, the ones best positioned to know that DRM is a pipe dream, are the ones trying to sell this magic to the other “creative” industries, and doing an admirable hope of confusion. Again, if you can’t get a perpetual motion machine, a good substitute is a machine with very little friction which bystanders are obliged by law to push whenever it runs out of energy: this is the physical equivalent of the anticircumvention provisions instituted in modern copyright statutes, such as the DMCA, EUCD and transposing laws, etc.
In most jurisdictions, there have been significant successes in fighting the spread of copying. People who shared a handful of songs have been fined unspeakable amounts of money, people selling CDs in the streets have been jailed, and so on. Even in Sweden, home of the Pirate Bay, the legal terrain of the battle appears to be strongly on the side of the enemies of abundance. However, and for now, Spain resists this tendency, not, in the main, thanks to its legislators, as fascinated by shiny objects as any, nor its executive power, neither better nor worse than most social democracies, but, weird as this may be, by the consistent and persistent response of its judiciary.
The fundamental distinctive factor in Spain in terms of legislative content is the right–contained in law–of private copying without profit motive. Contrary to many instances of the concept of profit motive in Spanish law, this is being integrated and interpreted in a mercantile sense: profit motive is understood as the intention to resell to seek surplus value. In other instances, profit motive is integrated and interpreted much more broadly, for instance when speaking of theft, in any utility derived from the act, whether the increase of the assets or the reduction of the liabilities, or even not having to realize a purchase. From this standpoint, though, private copying without profit motive would be entirely useless. When it comes down to it, even a backup has profit in the penal sense of the word–not the mercantile sense. So the Spanish judiciary have, probably on application of the doctrine of useful effect, utilized this narrower meaning of profit when reading the laws. This is why they have stated, several times, that copying content subject to author’s rights when done by individuals for private use and without any commercial intent is legal.
This has enraged the music and film factories, to the point that they have called Spain bad names–bad names that many, including myself, take pride on. What’s so wrong with being a land of pirates anyway, once you have defined piracy as any opposition to the outdated and moribund monopoly over copying which primary use is the increase of capital gains? They have tried to introduce their so-called three strikes legislation, without any success. They have tried to introduce throttling and filtering provisions in the laws, with identical results. they have, in desperation, tried to weaken Spain’s excellent protections of privacy. At last, they have tried to take to court those people they could identify as linking–giving sign posts, essentially–to their content. All for naught. The men and women in black have given them no ear, have sent their pretentions to Sheol. so we can celebrate this front in our global battle: while our justice remains at all justice, no pasarán! Fiat iustitia, ruat coelum!